Darlene Juschka is an associate professor in the Women’s and Gender Studies Program and the Religious Studies Department at the University of Regina, Saskatchewan Canada. Her work is multidisciplinary with a B.A. in Classical Studies, a M.A. in ritual studies ancient and modern, and a PhD in the Phenomenology of Religion (ritual, myth, and symbol) and Religion and Feminism. She has currently begun a second writing project – a poststructural analysis of the concept of pain in the Eurowest, and is working on two major research projects; “The Healing Journey: A Longitudinal Study of Women Who Have Been Abused by Intimate Partners” and “Gendering Livelihood Vulnerability And Livelihood Adaptation To Climate Change In Ghana.”
Publications:
Books:
(Compilation, introductions and editor)
Feminism in the Study of Religion: A Reader. Continuum. June, 2001
Journal Articles and Chapters in Edited Texts:
The Fantasy of Gender/Sex: Angela Carter and Mythmaking. In Lee Easton and Randy Schroeder (eds.) The Influence of Imagination: Essays on Science Fiction and Fantasy as Agents of Social Change, 160-173. Jefferson, NC: McFarland, 2008
Deconstructing the Eliadean Paradigm: Symbol. In Willi Braun and Russell T. McCutcheon, eds. Introducing Religion: Essays in Honor of Jonathan Z. Smith, 163-177. London: Equinox Publishers, 2008
Masculinity. In James T. Sears (ed.) The Greenwood Encyclopedia of Love, Courtship, and Sexuality through History, Vol. 6, The Modern World, 146-150. Westport: Greenwood Publishing Group, 2007
Sunday Mornin’ Comin’ Down: Waking up in Women’s Studies. In Mathieu Courville (ed.), The Next Step in Studying Religion A Graduate's Guide, 157-168. London: Continuum, 2007
Interdisciplinarity in Religious and Women’s Studies. Studies in Religion. 35/3-4 (2006): 389-399
Spectacles of Gender: Enacting the Masculine in Ancient Rome and Modern Cinema. Religious Studies and Theology, Special Volume: Materializing Roman Religion, Guest Editor Lisa Hughes, 24 (1) 2005: 75-110
Gender. In John Hinnells (ed.), The Routledge Companion to the Study of Religion, 225-238. London and New York: Routledge, 2005
Cladistics, Morphologies, Taxonomies and the Comparative Study of Religion. Method and Theory in the Study of Religion 16 (1), 2004: 12-23
The Writing of Ethnography: Magical Realism and Michael Taussig. Journal for Cultural and Religious Theory 4 (4), 2003: 84-105
Whose Turn is it to Cook?: Victor Turner’s Communitas and Pilgrimage Questioned. Mosaic: A Journal for the Interdisciplinary Study of Literature 36 (4), 2003: 189-204
Feminist Christian Theological Engagements with Symbol, Myth and Ritual. ARC, The Journal of the Faculty of Religious Studies (McGill) 30, 2002: 7-33
A Nod in the General Direction of...: Gender in the Study of Religion. Studies in Religion. 30 (2), 2001:215-222
The Wonderful Worlds of Disney and Fundamentalism: The Fetishization of the Family and the Production of American Family Values. Culture and Religion, 2 (1), 2001: 21-39
and Stephan Dobson. Levi-Strauss. In Charles Winquist and Victor E. Taylor (eds). The Routledge Encyclopedia of Postmodernism. London and New York: Routledge, October, 2000
Works in Progress:
Manuscripts:
Political Bodies, Body Politic: The Semiotics of Gender. Under contract Equinox Press. Approximate publication date Nov 2009
Working title: Contours of the Flesh: The Semiotics of Pain
In the Eurowest pain is discursively framed as something that elides discourse and is therefore outside language. In this framing, pain, as outside language, is given asocial and ahistorical status understood to be beyond human construction. Indeed played out in systems of belief and practice, pain acts as a medium for reciprocal relations with the metaphysical other since it too is understood as originating and sharing a part in the “authentic” or “real” from which the metaphysical, and therefore truth, is understood to emerge. Understood as part of this domain, pain is located in linked to truth and therefore understood to be a means to truth; hence the use of torture to secure the truth. With this kind of discursive framing, this book, seeks to deconstruct and question this kind of framing in an effort to demystify pain, and to make visible the social and political imperatives for its mystification.